Rutter | Birthday Madrigals
Chilcott | Little Jazz Madrigals
Williams | Laura |Love bade me welcome
Fats Waller | Ain’t misbehavin’
Chilcott | The Making of the Drum
Take 6 | Let the words of my mouth
Bob Chilcott’s The Making of the Drum, inspired by the powerful traditions of African drumming — a cradle of jazz — shapes the spirit of the evening. His witty Little Jazz Madrigals uncover the ‘inner jazzer’ of Orlando Gibbons and three of his contemporaries.
Rutter’s Birthday Madrigals, were dedicated to the great jazz pianist and composer George Shearing. Among Shearing’s early influences was Fats Waller, whose classic Ain’t Misbehavin’ we perform alongside other irresistible arrangements of jazz standards and spirituals.
Gjeilo’s Dark and Luminous Night depicts the wonders of night, while Radiohead’s magical Pyramid Song reflects on death, rebirth, and the cyclical nature of existence.
At the heart of the programme lies Cecilia McDowall’s Five Seasons, a highly original and wonderfully evocative hymn to the rural British landscape and our farmers, whose unceasing labour feeds us and cares for the health and beauty of our Isles.
Gjeilo’s rich setting of Rossetti’s The Rose captures the poem’s bittersweet tone, while Whitacre’s Five Hebrew Love Songs captures treasured moments shared with his wife.
Inspired by John Dowland’s famous motto—always grieving—explore the richly textured soundscape that captivated Jacobean audiences at our “Semper Dowland, semper dolens” workshop day.
Alongside Dowland’s iconic laments, including his celebrated Flow My Tears, we’ll explore a programme of works by Dowland, Weelkes, Schütz and Purcell that also offers moments of brightness and wit.
Whether you are drawn to the quiet intensity of Dowland’s sorrow or the vivid and lively pair of Weelkes’ madrigals, Thule and The Andalusian Merchant, join us for a day of expressive storytelling through song—early music at its most evocative.
John Dowland (1563-1626)
Flow My Tears
Thou mighty God
Go, Crystal Tears
Come Again, Sweet Love
Thomas Weelkes (c1576-1623)
Thule, the period of cosmography
The Andalusian merchant
Death hath deprived me
Noel adieu, thou court’s delight
Heinrich Schütz (1585-1672)
Die Himmel erzählen de Ehre Gottes
Henry Purcell (1659-1695)
Let mine eyes run down with tears
Balulalow | Peter Warlock
Christmas Bells | Michael Csányi-Wills
Christmas Day 1666 | Bob Chilcott
Da pacem Domine | Melchior Franck
Illuminare, Jerusalem | Judith Weir
In dulci jubilo | Robert Lucas Pearsall
Ivy, Chief of Trees | Sarah Cattley
Maria durch ein Dornwald ging | arr. Stefan Claas
No Small Wonder | Paul Edwards
Omnes de Saba venient | Orlande de Lassus
Peace on Earth | Errollyn Wallen
Still, Still, Still | arr. Andrew Gant
The Holly and the Ivy | Matthew Owens
The Magi | Cecilia McDowall
The City Chamber Choir’s Autumn Concert is an exhilarating program of choir and organ music from 19th and 20th century Europe, showcasing St Mary’s Bourne Street’s magnificent organ crafted by Henry Willis & Sons in 1928.
Kodály’s Laudes Organi celebrates a virtuosic union of pipes and voices in his brilliant swansong. The ‘19th century’s Palestrina’, Rheinberger’s magnificent Mass in E flat is rich in harmony and melody whilst Arvo Pärt’s The Beatitudes is an enchanting blend of sound and silence. Recognized as a masterwork, Leighton’s solo organ Passacaglia leads us to the conclusion of the program with Britten’s beloved gem, Rejoice in the Lamb.
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